The 5-Second Trick For metafora
The 5-Second Trick For metafora
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Permit’s get all our ducks on precisely the same website page. (A mashup of “get our ducks within a row” and “get on the identical page.”)
Working with too many dead metaphors will lead to your reader to lose curiosity. Reach somewhat further for an primary picture, or give thought to tips on how to use a well-recognized metaphor in an unconventional way.
Ungkapan “kutu buku” di sini merupakan metafora untuk melukiskan orang-orang yang gemar membaca buku. Mereka diibaratkan sebagai hewan kutu buku karena selalu berada dekat dengan buku di manapun mereka berada.
The Philosophy of Rhetoric (1936) by rhetorician I. A. Richards describes a metaphor as owning two parts: the tenor as well as the motor vehicle. The tenor is the topic to which characteristics are ascribed. The motor vehicle is the article whose attributes are borrowed.
Arti: Perang dingin artinya perang atau perseteruan yang tidak melibatkan senjata atau serangan militer.
Sus ojos eran faros en la oscuridad, iluminando el check here camino como luciérnagas en la noche. Preguntas frecuentes sobre la fulfilledáfora
Pengertian majas metafora adalah majas yang menggunakan analogi atau perumpamaan untuk melukiskan atau menggambarkan sesuatu.
სულიერი საგნის თვისება გადატანილია უსულო საგანზე („ჩაფიქრებულა მთაწმინდა“ ან „ვინ იცის მტკვარო რას ბუტბუტებ“).
Should you don’t just take them at facial area benefit, The end result is a way more powerful description of people or functions than you’d get with phrases like “appreciate is hard” or “Silas sits all-around a lot.”
„შენ ფრთამოღუღუნეს ჟამთა სიმაღლეზე, ჩვენი საუკუნე გიცავს, უახლესი“ (გალაკტიონი) მეტაფორაში საგნებსა და მოვლენებს მიწერილი აქვთ ისეთი თვისება, რომელიც მათ არ ახასიათებთ, მაგრამ პოეტურად დასაშვებია.
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It is the one thing that can not be learnt from others; and Additionally it is a sign of genius, considering that an excellent metaphor implies an intuitive perception of your similarity in dissimilars."[fifty eight]
Se trata de un procedimiento ampliamente utilizado tanto en el lenguaje literario (sobre todo en la poesía), como en el habla cotidiana, dado que sirve para imprimir a lo dicho una potencia mucho mayor que el habla directa.
: es el término o elemento al que hacemos referencia, que existe realmente y el que se anuncia de forma literal. En nuestro ejemplo, el tenor